Color me blue song8/14/2023 She mentions it a whopping twenty-seven times in total, and as a colour it goes through a variety of meanings as well. Blue is no longer a distant colour she pines for in the men whose affection, world, and presence she craves above all else, but rather one Lana has now appropriated for herself.įor one, the title of Blue Banisters already makes the fact that the colour will heavily feature throughout the album. Out of the black, into the blue she sings as its closing lyric, away from oblivion and onto better things, reaching the blue skies she sings about in the titular track on the album.īlue is only mentioned once on Chemtrails Over the Country Club (and she doesn’t even sing that lyric herself), but then it becomes a central motif in the relationship between herself and love, more specifically falling in and out of the feeling. The colour changes its tune on Lust for Life where it becomes a warmer colour, more reachable and reasonable to her. Throughout the album she wishes for his love, going so far as to cast a spell to manifest it in her life in “The Blackest Day,” claiming blue as her favorite colour and tone of song. She pines after the man who could never love her in Honeymoon on its titular track, cruising to the blues, asking for him to love her in blue, dreaming of his love with wistful longing providing a beautifully desolate hue to her music. Lana was fascinated with the blue hydrangea from “Old Money,” the detached world of cold cash and racing cars, the blue magnificence of the sublime nature her manic pixie dream girl character sings about in “Black Beauty.” Blue symbolized cool, disconnected, powerful– the colour of her lover’s jeans in Born to Die, the ink of his snake tattoo in Paradise. The boy blue with blue eyes, the one who loves drugs and jazz as much as his girlfriend. The immature-man-child-visionary-artist of Norman Fucking Rockwell seems far away from the men that Lana has previously sung about in a starry-eyed haze, the men who live in the shades of blue that feature on Ultraviolence. He paints her blue again in “Venice Bitch,” blue in her happiness, the coloured filter that illustrates her life looming over her reality. Lana belts out a resounding you make me blue, magically layered on an instrumental conclusion, the violins heaving a melancholy melody as the first track leads on to the following. Her lover’s perception of her becomes her own reality as she embraces her unhappiness in having settled for him. This is perhaps most obvious in the titular track of her renowned album Norman Fucking Rockwell, where Lana sings about her self-loathing poet lover’s head caught between his hands as you colour me blue. Her lovers exist in shades of blue they seem to love her in blue, and she too seems to love their blue aloofness from afar. The colour blue prominently features throughout Lana del Rey’s music career.
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